THE
STRUGGLE FOR FREEDOM IN NGUGI WA THIONGO THE TRIAL OF DEDAN KIMATHI AND THE
BLACK HERMIT
CHAPTER ONE: INTRODUCTION
1.1
Background to the Study
The struggle for
freedom, as one of the major themes in African literary works, is the question
of moving the centre, from the stage of subjugation and oppression to the stage
of self-discovery, control and power regained from colonialism.Freedom, in this
context, denotes the state of not being under control and influence of
colonialism and Imperialism of western cultures. It is the state of realization
of self; the state of political and social power gained collectively.
According to
Ngugi wa Thiong’o, western imperialism colonizing efforts in the last four
hundred years have led to a situation where world cultures have been dominated
by a handful of western nations. The west, according to the author, has come to
see itself as the centre of the universe. Cultural power, just as much as
political and economic power is controlled at this faux centre. In the author’s
connection: “moving the centre; the struggle for freedom”, the centre in two
senses-between nation and within nations contributes to the freeing of the
world cultures from the restrictive walls of nationalism, class, race and
gender. The author believes that moving the centre in these ways is a crucial
step in the struggle for true cultural freedom throughout the world, in order
to correct the “imbalances of the last four hundred years of Euro centric
domination”.
Ngugi Wa Thiongo
remains one of the most influential African writers, especially in the area of
struggle for freedom in Kenya. The author’s concerns for the country were
portrayed in his numerous writings which aimed at librating the masses and
peasant farmers from the oppression of the whites the first aim of struggle in
librating African were political independence. Ngugi saw this as the only first
step toward total liberation. According to the author’s the under privilege
suffer from political leadership of the whites, in which their lands and
properties are denied. To this ends, the only way out of this, is a revolt
which he explains in the trials of Dedan
Kimathi, and a need to reject westernization and embrace Africanization for
the sake of freedom, as expressed in The
Black Hermit. The study is aimed at establishing the fact that struggle for
freedom had its antecedents and was worth fighting for.
1.2
Statement of the Problem
Most African
writers have centered their writings on the idea of struggle for freedom and
independence. This is true when considering early literary works in Africa. Not
only that these writers are displaying their anger and agitation against the
effects of colonialism, but also that they make revolutionary attempts to
underrate the values of Western cultures while extolling the African heritage.
This, according to them, is the spirit of every freedom fighter.
The issue of
revolution and fight for freedom is discussed in Ngugi Wa Thiongo’s The Trial of Dedan Kimathi and The Black Hermit. These works are a
replica of revolutionary attempt of Kenya’s to end discrimination, oppression
and subjugation melted out by the whites and even some Black leaders. Several
movements have emanated as a result of this unequal relationship; Negritude,
Apartheid, is a few of such movements. With this ideology as a bankdrop, Wa
Thiongo set out two dramatic works to address the issue of segregation, oppression
and deliminization that led to the struggle for freedom in 1960s for Nigeria
and Kenya. The problem is not whether or not, there was a struggle and
resolutions, but the extent to which these struggles led to freedom and
independence of African nations like Kenya.
The question of
absolute ethnic, political and economic freedom forms the problem of this
research. The research work seeks to unravel the different revolution attempts
by the “Mau – Mau” fighters like Dedan Kimathi and other freedom fighters in
bringing about freedom in the 1960s. the theme of freedom therefore, dominates
in Ngugi Wa Thiongo’s The Trial of Dedan
Kimathi and The Black Hermit,
with the question of whether or not, there was really freedom for the Kenyans.
1.3
Purpose of the Study
The study aims
at examining revolutionary features in Ngugi Wa Thiongo and Micere Mugo’s The trial of Dedan Kimathi and Ngugi’s the
black hermit to show the contributions of literature to the revolutionary
struggle of the Africans and Kenyans (Eastern African) in particular, towards
liberating themselves from oppression.
1.
The study shall also investigate the
drives for every struggle for independence irrespective of countries.
2.
The study shall contribute to other
works that discusses theme of freedom and independence in African literature
researches on related area.
3.
The study shall help literature teachers
in exposing the students to the concept and spirit of freedom fighters.
4.
The students would not be left out as
theirs is to have clear sources for their researches on related area.
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